Episodes
Monday Jun 15, 2020
Episode 55 : Welcome To The Dollhouse
Monday Jun 15, 2020
Monday Jun 15, 2020
No other film captures the truthful pain of adolescence as well as Todd Solondz’s WELCOME TO THE DOLLHOUSE (1995). By showing us harsh realities through heartbreaking humor, writer/director Solondz gives us a darkly comedic, layered look into the provocative world of Dawn “Wienerdog.” The universal appeal of this film is undeniable and gives a voice to the kids who go unseen.
▶️Synopsis: Plagued by bullying at school and being the forgotten middle child at home, an awkward pre-teen, Dawn Wiener, falls for an unattainable hunk while also carrying on a secret relationship with her main tormentor at school.
⏩⏩Discussions include: Solondz’s inspirations for DOLLHOUSE, how it was made and where it fits in with his other films; recurring themes and the impact of jarring slurs; the complexity of the characters and gifted performances by a predominantly young cast; story layering and Solondz’s use of dark humor; critical reception, lasting effects on the film’s main star and Dawn becoming an icon for underdogs. **Starring Heather Matarazzo, Brendan Sexton III, Matthew Faber, Eric Mabius. Directed by Todd Solondz.**
▶️**PICKS OF THE WEEK**
—Lindsay’s Pick, HAPPINESS (1998): This extremely dark and bold, uncomfortable comedy intertwines three sisters’ lives, each diving into subplots involving unfulfillment, boredom and perversion. **Starring Jane Adams, Lara Flynn Boyle, Dylan Baker, Philip Seymour Hoffman. Directed by Todd Solondz.**
—Justin’s Pick, STORYTELLING (2001): Split into disconnected stories, this dysfunctional dark comedy involves a female college student victimized by her professor and a high school boy being followed by a documentary filmmaker. **Starring Selma Blair, Mark Webber, Leo Fitzpatrick, Paul Giamatti. Directed by Todd Solondz.**
▶️MURRAYMOMENT: How Billy plays the Defender of the Bullied as Tripper in MEATBALLS (1979).
▶️FINAL THOUGHTS: How DOLLHOUSE helped Matarazzo realize her real-life gayness, the film being a perfect introduction to Solondz’s other films, some favorite scenes involving Dawn Wiener and the importance of music in the film.
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