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Don’t Push Pause is a monthly podcast bringing you discussions on movies from the 70s, 80s and 90s. DPP consists of a main discussion on a featured film, followed up by our Picks of the Week, and closing with our signature (Bill) Murray Moment.
Episodes
Monday Sep 23, 2019
Monday Sep 23, 2019
⏩⏩Discussions include: How a solid, witty script and stylish look create a relatable world where the comedy never wears out. On top of the expertly-curated ensemble cast, we’ll discuss what the actors bring to the film and how ad-libbing came in handy during a Hollywood writer’s strike. We’ll dig into the themes of THE ‘BURBS, go behind the scenes of filming and director Joe Dante’s career and passion for moviemaking. **Starring Tom Hanks, Carrie Fisher, Bruce Dern, Rick Ducommun, Wendy Schaal, Corey Feldman. Directed by Joe Dante.**
Realism becomes another form of artificial style in THE ‘BURBS. Justin Hayward discusses how Joe Dante is able to create very calculated comedic moments within dramatic situations.
Diving into Billy’s Carl Spackler character in CADDYSHACK, and why he’d fit in perfectly with neighborhood boys in THE ‘BURBS.
A brief career retrospective of THE ‘BURBS co-star, Darla the Dog.
Monday Sep 09, 2019
Monday Sep 09, 2019
ERASERHEAD (1977) may be the most well-made student film ever produced. As a brilliant piece of film history, it is forever cemented in as the ultimate cult film and perfect midnight movie. David Lynch was able to create a deeply personal and mesmerizingly quirky film which was the first of its kind. Strikingly bold visuals, an unnerving soundscape and oddball characters help create a grim, surrealist story wherein the viewer is submerged in a bizarre, yet mysteriously familiar world.
▶️Synopsis: Set in an industrial, dismal environment, Henry is confronted with meeting his girlfriend Mary’s off-kilter family, then discovering he is the father to a premature newborn, which appears to be inhuman. This is a richly nightmarish reality which feeds common anxieties concerning relationships, parenthood, regret, life and death.
⏩⏩Discussions include: Lynch’s relationship with The American Film Institute (AFI), the community effort which made ERASERHEAD possible and how Lynch’s underlying personal narrative flowed into the plot and themes. In addition, we’ll discuss how a direct story is told through surrealist, subconscious visions and very intentional sound design, leading to why the film is open for interpretation. We’ll further explain our favorite moments in the film, give a ton of behind-the-scenes information and how ERASERHEAD is connected to other subsequent Lynch projects. **Starring Jack Nance, Charlotte Stewart, Allen Joseph, Jeanne Bates. Directed by David Lynch.**
▶️**PICKS OF THE WEEK**
Lindsay's Pick — BLUE VELVET (1986): This neo-noir mystery follows an innocently curious man discovering a disembodied ear, leading to a possible romance, but also a criminal underworld of drugs, violence and sexual trauma. An unreal, yet familiar world where voyeurism becomes addicting. **Starring Kyle MacLachlan, Isabella Rossellini, Dennis Hopper, Laura Dern, Dean Stockwell. Directed by David Lynch.** AVAILABLE ON TUBI NOW!
Justin’s Pick — THE STRAIGHT STORY (1999): An elderly man embarks on a 240 mile journey to visit his ailing, estranged brother. Having no other way to travel, he uses his riding lawnmower to complete his quest. An unusual road trip film, which is also based on a true story. **Starring Richard Farnsworth, Sissy Spacek, Harry Dean Stanton. Directed by David Lynch.**
▶️MURRAYMOMENT: With all this talk concerning parenthood in ERASERHEAD, we’ll scrape the surface of Billy’s upbringing and his eventual turn into becoming a father of six boys.
▶️FINAL THOUGHTS: We need to talk about the newborn in ERASERHEAD...
▶️NEXT UP: THE ‘BURBS (1989)!
Monday Aug 26, 2019
Monday Aug 26, 2019
COMING TO AMERICA (1988) is a crowd favorite among romantic comedies and considered one of Eddie Murphy’s best films. It serves up a lighthearted, Cinderella-type story, non-stop laughs and gives us too many memorable (and quotable) scenes to count. Also, there’s a shrouded controversy and ton of backstory surrounding the film. For this Eddie Murphy-centered episode, we travel from Africa to New York to suss out the story behind COMING TO AMERICA!
▶️Synopsis: Prince Akeem of Zamunda wants nothing more than to marry a woman who loves him for who he is, not because of his immense wealth. After postponing his arranged marriage, Akeem travels to New York City to pose as an exchange student, work a regular job, and search for his future bride-to-be.
⏩⏩Discussions include: Murphy’s relationship with director John Landis and his first endeavor into makeup/prosthetics from special effects master, Rick Baker. Murphy vs. studio reaction to actors playing multiple characters. Cast breakdown, the intended vision for the fictional nation of Zamunda, followed up by the lawsuit concerning the original script. An overall view of Murphy’s career, the COMING TO AMERICA sequel and all our favorites moments sprinkled in between. **Starring Eddie Murphy, Arsenio Hall, Shari Headley, John Amos, James Earl Jones, Madge Sinclair. Directed by John Landis.**
▶️**PICKS OF THE WEEK**
Justin’s Pick — LIFE (1999): Set in 1932, two men are framed for a crime they didn’t commit and sentenced to serving life in prison together. Though a comedy, the film’s tight script and solid performances lend to some serious realness, making for a sleeper of a truly great film. **Starring Eddie Murphy, Martin Lawrence, Bernie Mac, Ned Beatty. Directed by Ted Demme.**
Lindsay’s Pick — GOLDEN CHILD (1986): In this fantasy-adventure film, a Los Angeles social worker is sought out and informed he is the only person that can rescue a kidnapped Tibetan boy who happens to be the savior of all humankind. **Starring Eddie Murphy, Charlotte Lewis, Charles Dance. Directed by Michael Ritchie.**
▶️MURRAY(Murphy)MOMENT: In this extra special Season 6 opening monologue of SNL, Eddie comes out to save a spastic Billy, as the two end up channeling another legendary comedy duo.
▶️FINAL THOUGHTS: COMING TO AMERICA’s connection to another Murphy film, TRADING PLACES; Who is Darla the dog?; Landis’ motivation behind putting Murphy in whiteface.
▶️NEXT UP: ERASERHEAD (1977)!